So You Don't Get Lost In the Neighborhood

July 6, 2015
A quietly haunting search for the truth—or at least for the facts—of a postwar French childhood, Nobel-winner Modiano’s novel spins out over a summer in which “everything is uncertain.” The quest begins with a phone call: elderly, isolated writer Jean Daragane has lost his address book on a train, and a man named Gilles Ottolini has found it. Ottolini offers to return the book, but when the two meet in a Paris cafe, he demands information about one of the people listed: Guy Torstel, whose name also appears in one of Jean’s early novels, Le Noir de l’été (The Black of Summer). Although he cannot immediately remember Torstel and is reluctant to engage with the outside world (“in his solitude, he had never felt so light-hearted”), Jean nevertheless finds himself reading through a dossier about a 1951 murder case, given to him by Gilles’s girlfriend, Chantal Grippay, and encountering in these papers names that were once familiar to him, including Torstel. Modiano’s text rewards the patient reader—as this time-hopping account of coincidences, uncertainties, and echoes of a half-forgotten history unfolds, “the present and the past merge together,” building toward a powerful, memorable conclusion.

April 15, 2015

Nobel Prize winner Modiano, who investigates memory and the consequences of France's World War II occupation in elegant, intensely reticent language, finally gets a big-time publisher here. His new work features Jean Daragane, whose determinedly isolated life in Paris is interrupted by a disturbing phone call that drags him into a long-ago murder. Expect interest, just not from your standard-issue murder mystery fans.

Copyright 2015 Library Journal, LLC Used with permission.

September 1, 2015

Published in France in 2014, this novel is billed as suspense, though it's suspense of a very different order from that of your standard cloak-and-daggers thriller. Jean Daragane, a novelist who prizes his solitude, receives a call from a stranger who says he has found Daragane's address book. When he goes to retrieve it, Daragane starts worrying that the shady Gilles Ottolini means to blackmail him (even Ottolini's companion, Chantal, warns him later that Ottolini is dangerous). But what Ottolini really wants is information about Guy Torstel, whose name is in the address book. At first, Daragane doesn't recall Torstel, but the name--and a dossier given him by Chantal--slowly awakens memories of a house where he stayed as a child in Saint-Leu-la-Foret and the young woman named Annie who cared for him. Daragane still aches for Annie, yet it's also clear that she's associated with some sort of crime in his young life, a crime Modiano reveals in the end not with a bang but in his typically delicate and elliptical way. VERDICT More fleshed out than Modiano's mid-career novels yet retaining their not-quite-touchable qualities, this won't work for anyone who wants robust emotion but is brilliantly structured and effectively captures the unflashy unease of real life.[See Prepub Alert, 3/30/2015.]--BH

Copyright 2015 Library Journal, LLC Used with permission.